A form balancing between chance and intention. One that feels as though it had been found somewhere before: in nature, in memory, or perhaps in the imagination, before taking on a material shape.

Is this an act of imitating nature, or of recognising within it forms that first emerge in the mind and then take shape in the hands?

A record of a process in which the hand carving the mould gains autonomy, relinquishes intention, and allows a form of its own to emerge — one closest to its nature.

Heavy silver casts, in which weight is an essential part of the expression.