Hand woven silver links form a structure that responds to the movement of the body. Each connection is created individually. Every link passes through the hands before becoming part of a larger whole. The construction grows patiently, rhythmically, almost meditatively.

Historically, chain mail protected the body. Today, armour has shifted form. We no longer wear it beneath helmets, but against the skin. Make up, clothing, jewellery. Chosen layers through which we decide how we are seen.

CHAINMAIL operates within this tension. It is ornament, yet also a filter. A reflective surface that attracts the gaze and subtly redirects it. It does not conceal in a literal sense. It reframes. Protection here lies not in hiding, but in the strength of form.

Silver settles on the body like a flexible metallic mesh. Fluid, luminous, assured. A structure that moves with gesture, tracing the wrist, the line of the neck, the rhythm of a step.