The concrete I use for my jewelry is actually an artificial marble, which has little in common with the architectural concrete that is popular nowadays. The custom mixture I use for casting is based on different Italian marble types, allowing me to achieve natural shades: gray from nero ebano and white from bianco carrara. It also allows the finished casts to be processed in a way similar to stone, though slightly easier in the initial stage of the concrete setting. It’s crucial as I manually sand and polish them to achieve surfaces that are very smooth and pleasant to the touch, all without any artificial finishes.

Some of my projects are inspired by a fascination with pure geometric shapes, which closely align with my sense of “Bauhaus” aesthetics. Others, inspired by his Melancholia I engraving, epitomize the fusion of usually unconnected fields, such as mathematics and the fine arts.

Some of my designs arise from a fascination with pure geometric form, which resonates with my sense of “Bauhaus” aesthetics. Others, like the Dürer solids inspired by his engraving Melancholia I, represent the ultimate fusion of usually unrelated fields such as mathematics and the fine arts.